O Refreshing Shadows for [livejournal.com profile] turkeyish

Aug. 31st, 2013 05:51 pm
[identity profile] nfe-gremlin.livejournal.com posting in [community profile] narniaexchange
Title: O Refreshing Shadows
Author: [livejournal.com profile] tiabolt
Recipient: [livejournal.com profile] turkeyish
Rating: T
Content/Warnings: Slight language.
Summary: He never questions his actions, never considers the morality of it all. Because if he ever wondered what Aslan would think of him now, they'd would lose its best con artist.
Author's notes: TItle taken from La Fin de la Journee by Charles Baudelaire



O Refreshing Shadows






The canals are beautiful, even with the buildings that almost seem to sag into the waterline.

Curved gondolas, with masked party-goers, the scent of wine and retch, capes and rustling skirts, Edmund experienced it all carefully, all his sense assaulted by her-Venice. The air, cloying and intoxicating, seemed to pull him into the crowded fray, his own simple black mask helping him blend in-covert in the simplest way imaginable. And, oh how his fingers itched at the sight of the rich mingling with the poor, diamonds glinting with an icy sharpness, his dark eyes drawn to their cut facets immediately.


The Just King was now a Gentleman, and a Bastard, just in a way only thieves could be-stealing from those who had too much, and if he was feeling generous, giving to those who didn't have enough. It was nowhere near as noble as Robin Hood-Edmund did keep the best of his loot for himself, like the sword he had so carefully polished until it shone half as much as it once did, in another kingdom and another life. His skills, the nimbleness with which he once twirled two blades, were now applied more subtly, Edmund mused, as his digits slipped into the pocket of an overenthusiastic drunk, ostentatiously dressed with far too many jeweled rings. Relieving him of his unnecessary burden, he slipped away once more.


This was not his target for the night.


"Phantom," cooed a soft feminine voice, once he reached the alley in which his Motley Crew contact was to meet. Edmund's gaze helplessly traced the red curves of the woman's lips, as she smiled smugly, preening at the attention. No one went by name, for they all had lives in the day, but at night....the night was theirs, and they were the night's. And tonight, with people emptied into the street, empty mansions would provide them far more interesting entertainment than the joyous yells of the Venetians.


"Cat," he acknowledged in hushed response as the two climbed up the clay bricks to the top of the flat of some middle class family-people they would never rob. It wasn't an attempt to be good, it was simply that they targeted a more selected demographic. They have a perfect view of the Venetian skyline, so different from the stark lines of London. No, the Venetian skyline is languid, fluid, almost sensual with it's dips and bows. And sooner than he expected, both the "Phantom" and "Cat" have prowled across the rooftops to their desired location.


Edmund looks over the edge, nose wrinkled in distaste at the sight of their landing-the trash will save their fall, but that doesn't mean he has to like it. Unfortunately, Cat seems to have no such qualms, since she takes one look, shrugs, steps back, then leaps forward, arms outstretched. He almost wants to pout at the grace with which she lands, quite similar to her moniker. With a resigned sigh, he jumps as well, landing with a soft grunt- perhaps not as graceful, but just as quiet, and by then Cat has already searched through the trash, pulling out a dark bag with their equipment. It matches the color of their clothing-though her outfit is more form fitting than his. He won't judge her for that however, because he knows that a flirty grin and swaying curves can be just as dangerous as the knives he keeps on his person.


He stands watch while she begins picking the lock to the servant's entrance, dark eyes scanning for anything out of the ordinary. Other than a man asleep on a bench, his outline only visible due to the dim glow of the street lamp, he and his partner were the only ones on the street. A quiet click, and they let themselves inside the house. The crouched stance he uses as he silently finds his way to the safe reminds him far too much of another time-memories stored in muscle, of times sneaking into enemy castles trying to free a different type of treasure, something far more valuable.


Edmund blinked hard, focusing on the present and his current task. His ear was pressed against the safe, and fingers spun the dial with a delicate touch. The subtle sound of gears setting in place was music to his ears and the door swung open with a low creak, as if it were rarely used. Sitting, dust covering its crystalline eyes, with a stately smile etched on it's dark gold features, was the Bastet. Just as his hands tightened around the figurine, he heard the unmistakable sound of a dagger leaving its sheath, and he whirled, reflexively coiling inwards.


Where Cat had managed to hide that knife on her tight outfit, would remain an enigma.


"Unfortunately, my darling," the dark haired woman said, grinning playfully, "The Panther no longer requires the Phantom. You've been removed from the Motley Crew."


"Well perhaps you should tell that to the Phantom, then," was the glib reply and her eyes widened.


Edmund rushed at her, pushing her hand upwards to loosen her grasp of the knife before twisting her arm around behind her back. Her cry of confusion was quickly muffled by his other arm, which still held the Bastet tightly in his hand. The smug grin on his face would have been out of place for the Phantom, but never had Edmund felt so much relief at removing a facade, a disguise.


"Unfortunately, my dear," he hissed, mocking her flirtatious tone, "You should be more careful in recruitment. And more wary of your superiors." Cat continued to struggle has he led her outside, towards a bench and a man holding a bottle of wine, who bowed with faux graciousness at her. She recognized the beard, and the pin on his lapel immediately and narrowed her eyes. The Motley Crew and the Extraordinary Gentlemen had been rival guilds for years, but never had she imagined they would actually infiltrate her own crew's ranks.


"Apologies my dear for the rough treatment," the man said politely, while Edmund tied her to the bench, before tucking his calling card- an ace of spades- into her belt. A reminder of the Gentlemen's victory. She remained stoic, unamused by the man's pretend affections, and Edmund couldn't help the twitch of his lips. The Cat and the Gentleman's quarrels were famous among the guilds.


But it was not his job to pay much more attention to them. He only needed to make a delivery. As he handed the statuette to the elder Gentleman, for a moment its features seemed altered, more ferocious, and though he was loath to admit it, more like a jungle cat. Edmund frowned and took the bottle of wine and the envelope containing his payment, before turning away to leave.


As the faint sounds of the rival thieves faded to a quiet, leaving only the gentle waves lapping against empty gondolas, the once-Just King brought the bottle to his lips and pulled out the cork with practiced ease. He savored the wine, the strong, sweet, cloying flavors and the slight haziness it brought to his vision, turning the cobbled streets of Venice to dirt paths at the Narnian Market. And if he brought his hand to his eyes, to wipe away tears when he passed the sombre, still statue of a winged lion, then the Gentleman Bastard was alone in the night to do so.






FIN.






Prompt:What I want:Edmund Pevensie
Prompt words/objects/quotes/whatever: "the Gentlemen Bastards crew, all masters of disguise, deception, and fine cuisine"

(no subject)

Date: 2013-08-31 10:32 pm (UTC)
edenfalling: stylized black-and-white line art of a sunset over water (sun on the water)
From: [personal profile] edenfalling
Interesting! I like how Edmund focuses so carefully on the here-and-now, so he won't have to think about the moral implications of his life (though he does also try to justify them to himself, when he can't avoid the topic). I also like the way more physical reminders of Narnia creep in, particularly in relation to his blades and also to how infiltrating a mansion to steal jewels and art is similar to infiltrating a castle to... free prisoners? Steal war plans? Anyway, something of greater import.

The bit where he sees Aslan in the Bastet and the statue of the winged lion is lovely.

(no subject)

Date: 2013-09-01 05:43 am (UTC)
From: [identity profile] heliopausa.livejournal.com
Wow! The Lion of Venice! The Gentlemen Bastards are all new to me, and I didn't expect Venice! :)
You give a beautiful sense of place, with those lovely lines about the buildings sagging into the waterline (I was suddenly in a world which was demonstrably sodden and decadent!) and the languid roofline of Venice compared to the starker London horizon. So this Edmund knows both? And is still holding London values somewhere in there... and deeper still, Narnian values. So much is hinted at, and nothing is explained. :) I enjoyed very much how this story dissolved all the certainties and expectations about Narnia and Edmund into the fluidity of the Venetian world - nothing fixed or certain, not even Edmund's view of the cobblestones. But then the terrific, confronting end with the Lion. :)

(no subject)

Date: 2013-09-01 01:53 pm (UTC)
ext_418583: (Default)
From: [identity profile] rthstewart.livejournal.com
There are not enough Narnia AUs! I especially like how you work the touches of Narnia in, the different things that remind Edmund of the other place and other time. Your sense of Venice or AU Venice was very well done too. It was wonderfully descriptive. The addition of the lion was especially well done. Thank you!

(no subject)

Date: 2013-09-01 04:43 pm (UTC)
From: (Anonymous)
Ahahaha! I wondered who requested this prompt, excited to read what came of it, (and secretly relieved I didn't get it....I'm only partly through The Lies of Locke Lamora, myself).

Edmund fits in wonderfully with this genre, and I really like the crossover aspect of this...man, I'd love to read more! Nice way to throw Aslan into the mix, too. Well done!

(no subject)

Date: 2013-09-03 12:41 am (UTC)
From: [identity profile] snitchnipped.livejournal.com
Shoot, this was my review... why wasn't I logged in? :P

(no subject)

Date: 2013-09-02 02:48 am (UTC)
From: [identity profile] turkeyish.livejournal.com
I cannot wait to find out who you are, Mystery Author! This is wonderful, much more than I'd dared to hope for when I posted my prompt. You've told an amazing story, and so much, in such a short piece. I love that Venice is very nearly a character all her own - your descriptions of her are so lush and beautiful, with just a bit of an edge and a bite. I also love the way that Narnia seems to haunt Edmund, with all her little reminders and comparisons - and of course, that lovely, fleeting glimpse of Aslan. And I especially love the shadows that cloak Edmund here - he gives to the poor, yes, but he's certainly not noble or unselfish or anything so sentimental.

Gah. I love it all. And I love you for this terrific story - I can only hope that you'll continue to play in this world after the exchange, as you do it so well! Very inspiring. Thank you so much, Mystery Author!

(no subject)

Date: 2013-09-03 04:34 am (UTC)
From: [identity profile] aurilly.livejournal.com
This makes me want to continue on with The Lies of Locke Lamora (I googled what Gentleman Bastards were when the Madness round started), which I somehow abandoned in a fit of ADHD last year. Such a beautifully written story, and so evocative. The end was so sad and haunting and Edmund was beautifully drawn.

(no subject)

Date: 2013-09-11 01:40 am (UTC)
From: [identity profile] starbrowsings.livejournal.com
You captured the mood of Venice and its underbelly very skillfully, and the AU look at Edmund and his disillusions was very haunting.

(no subject)

Date: 2013-09-14 04:40 pm (UTC)
From: [identity profile] pencildragon11.livejournal.com
Agh, the setting and atmosphere here is so vivid with the "languid" skyline and the jewel-encrusted drunks, and the whole tone of whispers in dark corners. It's a great take on the Edmund Spymaster trope, and a good use of the prompt. Nicely done!

(no subject)

Date: 2013-09-21 01:39 pm (UTC)
From: [identity profile] deepdarkwaters.livejournal.com
This is such a brilliant AU setting, I could read whole novels of this *_* Great job!
Page generated Mar. 25th, 2026 03:48 am
Powered by Dreamwidth Studios